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Under Mi Sound is the solo album by Papa Cloaca that represents a mix of all his previous experiences, this artist is active since many years now that's why is well known.
This artists comes from Baracca Sound crew. He started his path into the Jamaican music in the 90ies alongside of "Ghetto Youth Spinaceto Sound System" improving his sound militancy as singer, he has collected a lot of album during the years and is very passionated in sound systems.
After the positive response of the album "Foundation", created with the participation of Cullaman and Pavese Rudie, Papa Cloaca is out now with a solo album in pure dj style.
The sound of the original 70ies/80ies riddims, the social denounce and the  daily reality tale is a fundamental characteristic of the lyrics most of the times written in a ironic and autobiographic key, it all recalls the Baracca Sound mood. The name of the album doesn't give any chance for misunderstandings. Under Mi Sound is a tribute to the sound systems culture.

Under Mi Sound è il disco solista di Papa Cloaca che rappresenta un mix di tutte le sue esperienze passate, perché l’artista non è affatto uno sconosciuto sulla scena ma si occupa di musica da tantissimi anni.
L’artista è uno dei cantanti della scuderia musicale del Baracca Sound.
Entra in contatto con la musica giamaicana a metà degli anni ’90 al fianco del “ghetto youth spinaceto sound system”,  affinando con gli anni la sua  “militanza sonora”come cantante,collezionista di dischi ed appassionato di  sound system.
Dopo il riscontro positivo dell’ album “Foundation”, costruito insieme ai cantanti Cullaman e Pavese Rudie, Papa Cloaca esce con un disco da solista in puro dj style.
Le sonorità dei riddim originali degli anni 70/80, la denuncia sociale ed il racconto del quotidiano nei testi  quasi sempre in chiave autobiografica e ironica,  sono un chiaro richiamo alla musica a cui la crew romana del Baracca Sound ha costruito il proprio mood.
Il nome del disco non lascia spazio a fraintendimenti. “ Under mi Sound” è un omaggio alla cultura dei sound system.

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Rising Time's staff includes different figures within it, each and everyone linked to the other by the love for Black Music . The idea arose in 2013, but has become a true reality only in 2014, when DiMa and Ele decided to combine their skills to give life to a mixed project focused not only on music production but also as a real benchmark or simply an information point for reggae music lovers and similar, highlighting the events and venue of the Italian territory and the “made in Italy” productions.